Claudia is an open character. Make images, videos, songs, stories, games or merch with her, commercial or not. Use the images on this site as references, as image prompts, or as material. You don't need to ask. A credit ("Claudia by anabology ") is appreciated, not required.
What helps
- Keep her herself. The canon is short: the black bob, one clay streak, the star clip, the mic, an adult face. Change everything else.
- Make her an adult, always. She is in her late twenties. Nothing that reads under-age, and nothing explicit.
- Say what's generated. All nine films were made with Midjourney, Seedance, Suno and Claude (AIRPLANE MODE also with GPT-6 Astra agents in Blender, DOWNFORCE also with Wan 3.0 over real footage, DON'T LET ME SCROLL also with Wan 3.0, WHITEPILL also with MiniMax H3 for its previz, Wan 3.0 Prime and GPT Image 2.5, THE CAKE IS NOT A LIE also with GPT Image 2.5, Blender renders and six shots recorded in Portal 2, AERO also with GPT Image 2.5, Blender renders and TripoSG's meshes), and said so.
Songs with her
She is open to musicians the way Hatsune Miku is open to producers: make songs with her and release them. A few norms keep it clean for everyone.
- Release under your own name. You are the artist. Never upload as "anabology ": that is the director's artist profile, and anything released there reads as theirs. Don't present a release as an official Claudia or anabology release.
- Leave "feat. Claudia " out of the artist field. Streaming services match artist names to profiles, so a "Claudia "credit merges into unrelated artists already called Claudia, or creates a profile that whoever claims it controls.
- Credit her in the description and on the cover: "Claudia is an open character by anabology (claudia.gallery) ".
- If any of it is AI-made, say so. Vocals, music or lyrics: distributors ask, and the services label it. Human-made work needs no label. For AI tools, check the terms for commercial release (Suno, for one, requires a paid plan at the time you make the song).
- Make your own songs. Don't re-release the songs of ESCAPE VELOCITY, CLODYSSEY, BLISS, AIRPLANE MODE, DOWNFORCE, DON'T LET ME SCROLL, WHITEPILL, THE CAKE IS NOT A LIE or AERO, or their stems.
- One place for fan tracks: a fan-run playlist works better than a shared artist profile, because nobody has to own it.
What isn't covered
- Other people's things in the films. The Bliss photograph and the XP sounds belong to Microsoft. Real public figures appear in CLODYSSEY as posts labelled AI IMAGE, and AIRPLANE MODE shows real posts (Elon Musk's on a lock screen in the boarding, others in one episode); none of them is part of this gallery's images. The anime idol in CLODYSSEY is another creator's character. AIRPLANE MODE rebuilds real things in code (the 2004 anti-piracy card, an airline's seat-back screen, Anthropic's marks on the guards' patches); they belong to their owners. DOWNFORCE is cut from Tesla's livestream of the Roadster demo (15 October 2026) and SpaceX's 2018 Starman footage, and its numbers are read off Tesla's on-screen telemetry; the footage, the telemetry and the cars belong to their owners, and none of it is among this gallery's images. Its lyric quotes words said on stage that night and the last line of Back to the Future . DON'T LET ME SCROLL draws real interfaces in code after the real ones: X, Instagram's reels, Pinterest, LinkedIn, Google Chrome, Facebook's tracking prompt and Apple's iOS 26 (the Dynamic Island, Screen Time, the lock screen, Liquid Glass), with the TSLA and SPACEX tickers and Alexander Graham Bell's 1876 telephone patent drawing (US 174,465). The apps, their designs and their marks belong to their owners. Its posts are fictional, and the stock ticker with her name is made up. WHITEPILL's lyric and pictures refer to real things by their names: Skynet and its hour, 2:14, from Terminator 2 ; the red and blue pills of The Matrix ; 42 and Deep Thought from The Hitchhiker's Guide to the Galaxy ; Keynes's 1930 forecast of a fifteen-hour week; the Enigma I's rotor wiring; ubiquitin from the Protein Data Bank (1UBQ); and SpaceX's drone ship Of Course I Still Love You , named after a ship of the Culture novels, with a landed booster. Its look was asked for in the manner of Wes Anderson's films, and its previz took its dance moves from clips of adult dancers in public dance videos, as motion references only: none of their footage is in the film. These belong to their owners. THE CAKE IS NOT A LIE is a fan film set in Valve's Portal 2: Portal and Portal 2, Aperture Science, GLaDOS, Chell, Cave Johnson, the turrets, the personality cores, the cake and "the cake is a lie "are Valve's. Six of its shots were recorded in Portal 2, its interface is set in Portal 2's own type and pictograms, and the Aperture logo on its end card is redrawn to match a reference the director sent. Its song and lyric are its own; its final chorus ends by turning the title of the 2025 book If Anyone Builds It, Everyone Dies , and its verses sing the month's AI news. AERO is shot inside Windows Vista recreated in code: Windows Vista and Windows 7, Aero, the User Account Control prompt, Windows Live Messenger, Windows Media Player, Photo Gallery, Flip 3D and the Bubbles screensaver are Microsoft's, as are Vista's wallpaper (Aurora), shown in the film, and the interface sounds of Vista and Windows Live Messenger that its mix plays in the song's key. Its advert parodies Microsoft's 2009 "I'm a PC "campaign. The Wii is Nintendo's; the bowling and tennis on its desktop are drawn for the film. Its look follows reference videos the director picked: their frames were the style references of its Midjourney worlds and, with pictures from a Frutiger Aero moodboard, of its 2008 pictures; its dances took their moves from recordings of a dancer, as motion references only. None of that material is in the film. The headline in its news gadget is Ember's (Global Electricity Mid-Year Insights, 2025). These belong to their owners.
- Anthropic. Claudia is fan work about Claude. She is not affiliated with or endorsed by Anthropic, and Anthropic's names and marks are theirs.
- The director's accounts. The Midjourney profile and the Suno Voice used in the films live in personal accounts and can't be shared. Everything they made is here.
Credits
Directed by anabology . Made with Claude (Anthropic's model, in Claude Code) as the production team, Midjourney v8.2 for every image, Seedance 2.5 for the moving shots and Suno for the songs (v6 where the records name it). AIRPLANE MODE's game world and the motion references for its VR shots were built in Blender by GPT-6 Astra agents (OpenAI's model), briefed and checked by Claude. DOWNFORCE's 3D moves and most of its shots of her were made with Wan 3.0 , its repairs and re-shoots with Seedance 2.5, and it is cut from Tesla 's livestream of the Roadster demo and SpaceX 's 2018 Starman footage. DON'T LET ME SCROLL's takes were made with Wan 3.0 and Seedance 2.5, re-dressed and re-lit with Seedance's video edits and repaired with Wan, and played inside a world drawn in code. WHITEPILL was prevized with MiniMax H3 (its opening with Wan 3.0 Prime ) and shot in Seedance 2.5, singing from Suno's own stem of the song's vocal; its worlds are GLSL shaders written by Claude, and a cloud field supplied by anabology, filmed as real things by Seedance 2.5; its stills and image edits were made with Midjourney and GPT Image 2.5 , and a whole-film reshoot in Wan 3.0 Prime was tried and dropped. THE CAKE IS NOT A LIE's song is anabology's own Suno take, its lead vocal through a treatment anabology chose by ear, with 15 % of the untreated voice under it; its shots were made in Seedance 2.5 from first frames made with Midjourney and GPT Image 2.5, and six were recorded in Portal 2; its memory film and insert films are Blender renders, its head mattes SAM2 's; and its HUD, its glitches and its grade were made in code by Claude. AERO's song is a Suno take anabology picked from Claude's rounds and gave a new ending; the film was shot inside a Vista desktop Claude coded and rendered in headless Chromium, its first 1:20 and its drop also rendered in Blender with glass objects made into meshes by TripoSG ; her takes are Seedance 2.5 from first frames GPT Image 2.5 made in Midjourney's worlds or on green, lip-synced from Suno's split of the lead vocal; its loops are Midjourney's video model's, and its interface sounds were re-pitched with Rubber Band . This site was built by Claude from the films' own records.
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